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Lustig has a theory about why British authorities suppressed Bernstein’s film. Many years later, Steven Spielberg chose Lustig, by then a film-maker, to be a producer for Schindler’s List.
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In reality, they were the bagpipes played by Scottish soldiers. He was a child in Belsen, so sick at the time of liberation that when he heard a strange noise he thought he’d arrived in heaven to a chorus of angels’ trumpets. Singer also interviews another illustrious Holocaust survivor, a Croatian named Branko Lustig. Photograph: George Rodger/The Life Picture Collection/Getty Images We didn’t want them.”Ī British soldiers spraying DDT on a woman liberated from Bergen-Belsen in May 1945. Often they had nowhere else to go – certainly not to Britain or the US. “Some of those who were liberated remained in those camps for five years after liberation. “I should have known this but didn’t,” says Singer. Anita played in the English Chamber Orchestra and became renowned as a solo cellist. It was not what we expected, to be still alive – but there we were.” The sisters settled in Britain after the war. Every British soldier looked like a god to us. “You spend years preparing yourself to die and suddenly you’re still here. “It is difficult to describe,” Lasker-Wallfisch says of her liberation. She also performed at concerts for the SS. At Auschwitz, Lasker-Wallfisch had been a member of the camp orchestra, playing cello as the slave labourers left camp for work each day and again when they returned. Lasker-Wallfisch and her sister, Renate, had been moved from Auschwitz as the Nazis retreated from the advancing Red army the previous year. Help is one the way.’ That sort of thing.” Among them was Anita Lasker-Wallfisch, now 89, who recalled the day British troops arrived at Belsen-Bergen.
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Singer tracked down and interviewed survivors who appeared in the original footage. Now, 70 years on, director and anthropologist André Singer has made a documentary called Night Will Fall, to be screened on Channel 4 later this month, telling the extraordinary story of filming the camps and the fate of Bernstein’s project.Ī US combat cameraman, featured in Night Will Fall. “If one man in 10 wears spectacles,” we are asked, “how many does this heap represent?” “Even teeth were taken out of their mouth.” Bernstein’s film then cuts to a large pile of spectacles. Collected from the murdered, it would have been carefully sorted and weighed.
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In one piece of film, from Majdanek concentration camp, we see huge bags containing human hair. As well as the dead, the footage showed starved survivors and human remains in ovens. As they worked, reels of film kept arriving, sent by British, American and Soviet combat and newsreel cameramen from 11 camps, including Auschwitz, Buchenwald, Dachau and Bergen-Belsen. They set to work on a documentary entitled German Concentration Camps Factual Survey. Photograph: Peter Stackpole/The Life Picture Collection/Getty Imagesīernstein assembled a remarkable team, including the future Labour cabinet minister Richard Crossman, who wrote the film’s lyrical script, and Alfred Hitchcock, who flew in from Hollywood to advise Bernstein on its structure.